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Informed by critical theory and crypto-linguistics, my work uses language and letterforms as communicative yet enigmatic systems. Language and form therefore become embodiments of the sociopolitical dialogues and discords between individuals as well as cultures, extending the formal power of graphic design to function as sociopolitical engagement. ALAN TURING and THE FOUR HORSEMEN. Steel, wood, vinyl, paint, ink, rubber, and wire, 2015. Department of Art, Art History and Design.